We can conclude that form is dependent upon form and vice versa. The author makes use of such a structure to emphasize the content of the poem. The form of the poem is quite complicated but very strict. The basic rhyme of the poem is iambic, however, with some brakes. To where it bent in the undergrowth (B)” (Frost lines 1-4). “Two roads diverged in a yellow wood, (A)Īnd looked down one as far as I could (A) The rhyme scheme of the poem is the following one: ABAAB. Thus, the poem has four stanzas, and each stanza has five lines (quintains). One of the most significant elements is the form in which the poem is organized. Moreover, the author uses figurative language in order to enrich the meaning of his poem. Thus, to present his views, Frost makes use of several stylistic devices, such as hyperbole, consonance, alliteration, antithesis, metaphors, images, and allusions. The leading theme of the poem is the non-conformist ideas of the author, the problem of life choice, and the dilemma in making the right decision. It is one of the most famous and analyzed works by the author. The first poem under consideration is “The Road Not Taken,” published in 1916. Robert Frost’s Literary Devices in “The Road Not Taken” These devices help the author focusing on particular themes and ideas addressed in the texts of the poems. In four poems under consideration, “ The Road Not Taken,” “ Fire and Ice,” “ The Lockless Door,” and “ After Apple-Picking,” the author makes use of four literary devices, such as form, symbolism, imagery, and allusions.
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